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Erie Beat
February 16, 2012 | Volume 8 Issue
8
Gone Country Crazy
By Jenna Croyle
Country music is a popular
American musical style that
began in the rural Southern
United States in the 1920s. It
takes its roots from Western
cowboy and folk music.
The term country music is used
today to describe many styles
and subgenres. In 2009 Country
music was the most listened to
rush hour radio genre during the
evening commute, and second most
popular in the morning commute.
Since 1925 the national standard
for the best Country music has
been the Grand Ole Opry, since
2001 though, the standard for
top shelf kick’n Country in Erie
has been this week’s featured
band, Next of Kin.
With more than 100 years of
musical savvy between the
members, Next of Kin is made up
of Bill Krasinski on Vocals,
Slide Guitar and Lead Guitar;
Michael Mannarino on Vocals and
Rhythm Guitar; Bill Garfield on
Fiddle, Guitar and the Mandolin;
Jeff Wiesen on Bass and Vocals
and Andy Gerbik on Keyboard and
Vocals, along with Thomas
“Spike” Buzard on Drums and
Percussion.
Next of Kin covers the music of
Blake Shelton, Brad Paisley,
Keith Urban, Keith Anderson,
Chris LeDoux, Tim McGraw and
many more.
With a stunning and energetic
stage show, a remarkably
magnetic connection with the
audience and a smooth and
powerful delivery of the music,
Next of Kin is truly the total
Country music package.
Having won the 2005 WOLF 93.9’s
People’s Choice Award for
favorite Country Band, and being
nominated several times, and
being honored in 2010 and 2011
as the RockErie Music Award’s
Best Country Band, Next of Kin
is without doubt the best of the
best that Erie music has to
offer.
The vocals of Michael Mannarino
are simply stellar, from the
classic sound to the new, more
modern country technique,
Mannarino hits all the right
notes and picks off every song
with perfection.
The note for note perfect Fiddle
frenzy of Bill Garfield is
sincere and electrifying, giving
a nice spice to the music that
might make even the great
Charlie Daniels say, “Well
you're pretty good ol' son.”
The multi-talented Bill
Krasinski plays both the Slide
Guitar and Lead Guitar like a
man possessed, for the biggest
and best sound with beautiful
tone and exceptional vibrato on
the bottleneck.
The Bass lines of Jeff Wiesen
are passionate and intense with
Wiesen being a high-energy
dynamo of a Bassist, creating
his own unique bass lines in
various situations and styles.
The key work of Andy Gerbik is
pulsating and intense as he
releases some serious virtuosity
with every note he plays. Gerbik
gives a life to the music that
just will not stop with flavors
ranging from smooth and vibey,
to tough and gritty. Gerbik’s
smok’n keys set every song on
fire.
Thomas “Spike” Buzard sets the
tone and carries the beat like
no other, hammering out the
hard-hitting chops and radical
rhythms that catch people off
guard and turns everyone’s legs
to Jell-o.
You do not have to be a
“Country” fan to enjoy Next of
Kin. If you love a Rock’n crazy
party, or just love to hear a
tight live band do what they do
best, Next of Kin is your one
stop shop, full service
explosion of the most
hard-hitting, superstar style
good time power Country band
that you will ever see without
paying forty dollars a ticket.
For more information on Next of
Kin and their show dates, please
visit their
Facebook
page.
Private Funeral for Houston Set
for Saturday in NJ
Whitney Houston's funeral will
be held Saturday in the church
where she first showcased her
singing talents as a child, her
family choosing to remember her
in a private service rather than
in a large event at an arena.
The owner of the Whigham Funeral
Home said Tuesday that the
funeral will be held at noon at
Newark's New Hope Baptist
Church, which seats up to 1,500.
The family said no public
memorial service is planned at
this time. Officials had
discussed the possibility of
holding a memorial at the
Prudential Center, a major
sports and entertainment venue
that can seat about 18,000
people, but the funeral home
said it had been ruled out.
Funeral home owner Carolyn
Whigham said the church service
will be by invitation only,
reflecting the family's decision
to keep the memorial more
personal.
"They have shared her for
30-some years with the city,
with the state, with the world.
This is their time now for their
farewell," she said.
"The family thanks all the fans,
the friends and the media, but
this time is their private
time," she said.
Houston, 48, died Feb. 11 at a
hotel in Beverly Hills, Calif.,
just hours before she was set to
perform at producer Clive Davis'
pre-Grammy Awards bash.
Officials say she was underwater
and apparently unconscious when
she was pulled from a bathtub.
After an autopsy Sunday,
authorities said there were no
indications of foul play and no
obvious signs of trauma on
Houston. It could be weeks,
however, before the coroner's
office completes toxicology
tests to establish the cause of
death.
Los Angeles County coroner's
assistant chief Ed Winter said
bottles of prescription medicine
were found in the room. He would
not give details except to say:
"There weren't a lot of
prescription bottles. You
probably have just as many
prescription bottles in your
medicine cabinet."
Houston's body was returned to
New Jersey late Monday.
Houston was born in Newark and
was raised in nearby East
Orange. She began singing as a
child at New Hope Baptist
Church, where her mother,
Grammy-winning gospel singer
Cissy Houston, led the music
program for many years. Her
cousin singer Dionne Warwick
also sang in its choir.
Houston's family asked Tuesday
that any donations in her memory
be sent to the arts-focused
public school that she attended
as a child and that was named
after her in the late 1990s.
In lieu of flowers, they said
mourners should donate to the
Whitney Houston Academy of
Creative and Performing Arts in
East Orange, a school serving
students in kindergarten through
eighth grade.
Houston attended the school as a
girl when it was named the
Franklin School and was a
regular visitor for many years
afterward. On Monday, students
held an outdoor service in her
memory.
An impromptu memorial for
Houston was held Sunday during a
sadness-tinged Grammys, with
Jennifer Hudson saluting her
memory with a performance of "I
Will Always Love You."
Viewership for the awards show
soared over last year by 50
percent, with about 40 million
viewers tuning in to the program
on CBS.
On Tuesday, a steady stream of
well-wishers continued to stop
at the New Hope Baptist Church,
where the front fence was
adorned with dozens of flowers,
balloons and oversized cards,
some with hundreds of signatures
and condolences written on them.
Several people expressed
disappointment that a public
memorial had not been scheduled.
But they also said they
understood why the funeral was
being kept private.
"Maybe at some point down the
road, they might do something,"
said B.J. Frazier, of East
Orange, who said she had
performed as a singer with one
of Houston's aunts. "But it's
like they're saying today, they
shared her for a long time and
they just want her to themselves
for now."
Gov. Chris Christie ordered
flags flown at half-staff
Saturday at state government
buildings, describing Houston as
a "cultural icon" who belongs in
the same category of New Jersey
music history as Frank Sinatra,
Count Basie and Bruce
Springsteen.
"Her accomplishments were a
great source of pride for the
people of the state," he said.
Houston, a sensation from her
first album, was one of the
world's best-selling artists
from the mid-1980s to the late
1990s, turning out such hits as
"I Wanna Dance With Somebody,"
"How Will I Know," "The Greatest
Love of All" and "I Will Always
Love You." But as she struggled
with drugs, her majestic voice
became raspy, and she couldn't
hit the high notes.
Houston left behind one child,
daughter Bobbi Kristina Brown,
18, from her marriage to singer
Bobby Brown.
Guns N' Roses
Original Members Will
Attend Hall of Fame
Induction
A reunion of the
original members of Guns
N' Roses is set for the
group's upcoming Rock
and Roll Hall of Fame
induction ceremony,
according to keyboard
player Dizzy Reed.
Reed insists Axl Rose,
Slash, Izzy Stradlin,
Duff McKagan and Steven
Adler will all attend
the event in Cleveland
on April 14, but the
rocker has no idea if
the band will take to
the stage for a
performance. He tells
Billboard.com, "I know
that all the original
band is going to be
there. I don't know
exactly what's going to
go down. It's one of
those things I'm sure
will all come together
and be really cool. I'm
just going to go in with
a good attitude and a
clear head and a
grateful heart."
Other former members of
the band, including
Gilby Clarke and drummer
Matt Sorum, will also be
at the ceremony,
according to Reed.
Jamie Oliver Finds
Treasure in Restaurant
Basement?
British celebrity chef
Jamie Oliver has struck
gold while building his
latest restaurant after
discovering a $1.8
million treasure haul in
the basement, including
master tapes by rockers
New Order.
The TV star is
converting an old bank
in Manchester, England
into an eatery and
builders discovered
hundreds of safety
deposit boxes dating
back to 1935 while
renovating the property.
After failing to trace
any of the owners,
officials from the Bank
of England drilled open
the boxes and found
thousands of dollars
worth of gold, jewelry
and master tapes by
bands such as Joy
Division and New Order.
A source tells Britain's
The Sun, "There was all
sorts in the boxes --
even a gun in one."
The items has now been
handed over to the
Treasury, while Jamie's
Italian restaurant is
set to open its doors on
Tuesday. Oliver quips,
"It's going to be one of
the jewels in the
Jamie's Italian
collection."
Ray Charles Foundation Wants
$3 Million Gift Back
The Ray Charles Foundation is
demanding the return of a $3
million gift given to Albany
State University a decade ago
because the organization says
the college has yet to use the
money to build a performing
arts
center in the late artist's
name.
In 2001, Charles gave the south
Georgia school $1 million and
donated another $2 million a
year later after receiving an
honorary doctorate from the
college. The native of Albany,
Ga., died in 2004 at age 73.
The money was given solely for
the construction of the
performing arts center, yet it
only exists "on the drawing
board and in an unapproved
downsized plan," the foundation
said in a statement.
Charles was specific on how the
money was to be spent, said
foundation president Valerie
Ervin.
"It is incomprehensible that
Albany State University failed
to use the money in the manner
Mr. Charles wanted. Mr. Charles
would find ASU's behavior
unacceptable," she said.
Albany State University
spokesman Demetrius Love said
the gift was never restricted
and that the school continues to
pursue additional funding for
the building, which is expected
to cost at least $23 million.
The 2001 donation still is in a
bank and the $2 million gift was
given to 125 students chosen to
be Ray Charles Presidential
Scholars, according to the
university. Officials said the
donation was the largest gift
the university has ever
received.
"It has been a long and tedious
process, but strides have been
made in accomplishing this
goal," Love said in an email
statement. "Albany State
University will continue in its
efforts of honoring Mr. Ray
Charles by constructing a fine
arts building in his name."
Plans for the project have
stalled in recent years because
of a lack of state funding amid
budget cuts.
In October, the university's
legal counsel sent a letter to
the foundation reiterating their
desire to move forward with the
building project, which also
includes a theater to be named
for Charles' mother. The
university has received
additional state funding to
support the design phase of the
building, the letter said.
"When Mr. Charles made the two
separate gifts to the
University, he did so without
restrictions," the letter reads.
"The University does believe
that a Fine Arts Building named
after Mr. Charles, with a
theatre named in honor of Mr.
Charles' mother, Mrs. Aretha
Robinson, is one of the ways to
do `the right thing.' The
University has been working
tirelessly towards that goal."
McCartney Receives
Star Alongside Fellow
Beatles
It's been a long time
coming for 69-year-old
Sir Paul McCartney, and
on Thursday afternoon in
sunny Los Angeles, the
music legend was finally
immortalized in cement
on the Hollywood Walk of
Fame.
An impressive crowd
gathered before the
famed historic Capitol
Records building to
witness the former
Beatle receive his
honor. Sporting a
rock-star leather jacket
and hip shades,
McCartney accepted the
star with his son,
James, and wife, Nancy
Shevell, which sits
firmly alongside the
plaques of his fellow
Beatles, Ringo Starr,
George Harrison and John
Lennon.
"I'm a star on the
pavement," he exclaimed,
telling ET the
ceremonious honor made
him feel "beautiful."
Neil Young gave
McCartney a stirring
introduction, while
Eagles guitarist Joe
Walsh, Elvis Costello,
Diana Krall, Herbie
Hancock and Traveling
Wilburys member Jeff
Lynne stuck to the
sidelines, watching with
pride.
This week marks the 48th
anniversary of the
Beatles' 1964
performance on "The Ed
Sullivan Show," which
helped to propel the
group to enormous fame
in America and around
the world.
"Kisses on the Bottom,"
McCartney's newest
release, is available
now. The collection
boasts McCartney's take
on a handful of
standards as well as two
new compositions, "My
Valentine" and "Only Our
Hearts."
Kenny Rogers Sues Capitol
Records Over Royalties
Kenny Rogers is suing Capitol
Records, claiming the company
has not properly paid him for
digital downloads, ringtones and
other uses of his songs.
Rogers in the lawsuit filed
Monday in federal court in
Nashville is seeking a
declaration that under his
contract, he is owed 50 percent
of net royalties for the
licensing of his master
recordings to third-parties like
iTunes and Verizon Wireless.
Rogers' hits include "The
Gambler" and "Lady."
"The actions of Capitol Records
was part of an ongoing and
deliberate attempt by record
labels to deprive artists, like
Kenny Rogers, in California, and
elsewhere of their rightful
royalties for music downloads,
ringtones, and mastertones,"
according to the lawsuit.
A spokesman for Capitol Records
did not return a call seeking
comment.
The lawsuit states that Rogers
began an audit of Capitol's
books back in 2007 and was
engaged in fruitless settlement
negotiations with the company
for about three years before
suing.
Rogers, who lives in Atlanta but
maintains offices in Nashville,
claims the company owes him at
least $400,000. He said he does
not know the total amount
because Capitol has withheld
some financial records.
He is asking for restitution as
well as compensatory damages,
attorneys' fees and interest.
Charles Anthony, Met
Record-Holder, Dies at 82
Charles Anthony, a character
singer who set the record for
most appearances at the
Metropolitan Opera — 2,928 —
during a career that spanned
from 1954 to 2010, died
Wednesday. He was 82.
Anthony, a tenor, died at his
home in Tampa, Fla., from kidney
failure following a long
illness, Met spokesman Peter
Clark said.
"Your talent, demeanor, joy and
heart will be missed,"
mezzo-soprano Susanne Mentzer
wrote on Twitter. "What a loss."
Beginning his career at the old
Met on Broadway and moving
uptown with the company to its
new home at Lincoln Center for
the Performing Arts in 1966,
Anthony was a "comprimario," or
supporting singer.
Bing: More on Charles Anthony's
career
He shared the stage with the
greatest classical artists of
several eras, performing in the
Met debuts of Marian Anderson,
Birgit Nilsson, Jon Vickers,
Leontyne Price, Franco Corelli,
Joan Sutherland, Elisabeth
Schwarzkopf and Jose Carreras.
"It's no exaggeration to say
that Charlie Anthony is the soul
of the Metropolitan Opera,"
Joseph Volpe, then the Met's
general manager, said when
Anthony was honored during an
intermission in Puccini's
"Tosca" in 2004.
Born Calogero Antonio Caruso in
New Orleans in 1929, Anthony
entered the Met's Auditions of
the Air competition in 1952.
Met general manager Rudolf Bing
feared that the public would
think he was related to the
great tenor Enrico Caruso and
that the young singer would be
burdened with expectations — so
Bing persuaded him to change his
name a half-hour before air
time.
Milton Cross, the Met's
broadcast host, apparently
played a role in the decision on
what name to take.
"I couldn't think of anything,
so we just dropped Caruso, which
made grandfather furious,"
Anthony told The New York Times
in 1992.
Anthony made his Met debut as
the Simpleton in Mussorsky's
"Boris Godunov" on March 6,
1954, with George London in the
title role.
"Probably few who saw the
performance will forget him,"
the Times wrote two days later.
"Anthony had better be careful.
If he does other bit parts so
vividly, he'll be stamped as a
character singer for life."
Which is exactly what happened.
His most frequent roles were the
Innkeeper in Strauss' "Der
Rosenkavalier" (159), Ruiz in
Verdi's "Il Trovatore" (141),
Gastone in Verdi's "La Traviata"
(136) and Spoletta in "Tosca."
He did have a few appearances in
leading roles, including two
performances of Ernesto in
Donizetti's "Don Pasquale" in
1956, one of Rodolfo in
Puccini's "La Boheme" in 1959
and two of Ferrando in Mozart's
"Cosi fan tutte" in 1962.
On Feb. 17, 1992, singing the
role of Borsa the courtier in
Verdi's "Rigoletto," Anthony
made his 2,396th appearance,
breaking the record baritone
George Cehanovsky set from
1926-66. Conductor James Levine
is now second at 2,442.
Anthony sang his farewell as
Emperor Altoum in Puccini's "Turandot"
on Jan. 28, 2010.
Survivors include his wife,
Eleanor; son, Anthony Caruso;
daughters Anna Beth Burgmeier
and Barbara Liriano; seven
grandchildren; and two great
grandchildren. A private funeral
is scheduled for Saturday.
New Music on the Way From
Late Waylon Jennings
The family of Waylon Jennings
will soon release songs the
country music icon recorded
shortly before his death 10
years ago.
At least eight of the 12 songs
on the tentatively titled "Goin'
Down Rockin': The Final
Recordings" were written by
Jennings, and eight have not
been released in any version
before. The simple vocal and
guitar tracks were cut at steel
guitarist Robby Turner's studio
before Jennings' death in 2002,
and musicians who worked with
Jennings have gathered to finish
the tracks.
The release later this year is
part of a new effort by
Jennings' family to establish a
Waylon business brand similar to
the booming estates of artists
such as Johnny Cash, Elvis
Presley and Hank Williams.
Jenning's son, Shooter Jennings,
also plans to launch a clothing
line, a redesigned
community-based website and
finalize plans for a biopic. All
this coincides with the second
installment of the three-part
tribute, "Waylon: The Music
Inside," released last week and
featuring songs from Hank
Williams Jr., Dierks Bentley and
Jewel.
"Feb. 13 will be 10 years since
he died and I do feel like it's
time for him to have a
presence," Shooter Jennings
said. "It should have been
before, but I don't think
anybody was ready to take it on.
I certainly wasn't. I know this
year we're about to bring him
back, you know what I mean?"
Jennings died from complications
of diabetes at 64.
He left behind one of country
music's most important legacies.
He fiercely fought for his
artistic freedom, creating the
so-called "outlaw" movement — a
term he chafed under — that
would eventually envelop artists
like Willie Nelson, Johnny Cash
and Kris Kristofferson. The four
toured together as "The
Highwaymen."
Just as importantly for modern
country music, however, he was a
voracious listener who wasn't
afraid to incorporate folk or
rock or pop into his voluminous
repertoire. He had many
different sides and many
different kinds of artists claim
him as an inspiration.
His unwillingness to bend to the
will of record labels in
Nashville was country music's
highest-paying gamble. He held
out for a better contract, then
turned around and released
"Wanted: The Outlaws," the first
platinum-selling country album.
Albums like "Honky Tonk Heroes"
and "Lonesome, On'ry and Mean"
helped redefine country music,
moving it from regional art form
to pop culture phenomenon.
It was never easy, though.
As his widow, Jessi Colter,
noted: "It's the curse of the
trailblazer to have the highest
walls, the hardest knocks. ...
His choices were different. His
offers were different. His story
is yet to be told. And I
actually have confidence that it
will be."
New music will surely spur a
little buzz for one of the most
name-checked artists by modern
country musicians. After making
his guide recordings, Jennings
discussed how to flesh out the
songs on "The Final Recordings"
with Turner before his death.
Turner called in Jennings
friends like guitarist Reggie
Young and songwriter Tony Joe
White to finish off the tracks.
The album will include White's "Goin'
Down Rockin'" and Willie
Nelson's "Sad Songs and Waltzes"
and is described by Turner as
similar in spirit to the work
Cash did with Rick Rubin during
the American Recordings sessions
at the end of his life. It will
join "Waylon Forever," an album
cut with Shooter Jennings when
he was 16 and reworked and
released in 2008, as Jennings'
only posthumously released
music.
Shooter Jennings hasn't heard
all the songs, but says those
Turner played for him in the
past have included interesting
interpretations.
Shooter Jennings also says he's
been working with T-shirt
designer Blood is the New Black
on a Waylon clothing line that
will go beyond the basic-black
merch tee.
"There will be Waylon shirts
next to the Cash shirts at Hot
Topic, and our shirts will be
cooler," he joked. A high-end
line of clothes is in the works,
too.
Jennings wasn't ready to give
too many details about a
possible biopic, but said he
believes he's found a producer
who is in tune with what the
family wants and hopes to have a
script by the end of the year.
Colter said the topic of biopics
came up over the years and
Jennings, who broke into music
as Buddy Holly's bassist, didn't
want the usual Hollywood
treatment.
"The way it will happen with him
won't be like any of the
others," Colter said. "He didn't
like those. In fact, when he saw
'The Buddy Holly Story,' he just
cringed because they didn't
begin to get his character."
Keeping things authentic is the
key to success in these types of
ventures, says Cash's son, John
Carter Cash, who helps oversee
his father's thriving estate.
Cash's image, story and music
still produce millions of
dollars a year for his heirs.
But John Carter Cash says he
must remain vigilant in business
dealings so that he honors what
would have been his father's
wishes. For instance, Cash's
likeness wasn't used for alcohol
and tobacco while he was alive
and that hasn't changed after
his death. But authenticity
isn't the only driver for Cash's
posthumous success.
"It's also that mystery that is
so appealing to people," Cash
said. "Music is timeless. I
believe also in the Waylon, as
you say, brand — I don't know if
that is the right word. It's his
character and his spirit
carrying on. No matter what we
do as a family in the decision
making, that was all set forth
by the person — Waylon, my dad,
whoever they may be. And No. 1
to me is to be respectful. Not
to exploit. That's most
important. I'd rather not get
the deal — and I've turned many
down — because I felt like it
exploited him."
Initially, Colter and Jennings
had little stomach for the
business side of Jennings'
legacy. The singer always
adhered to a different beat when
it came to business dealings and
managers, and it took some time
for his family to deal with the
loss emotionally.
The Country Hall of Fame member
died when his youngest son was
just 22. At the time, Shooter
Jennings had no interest in
preserving his father's image.
Over time, though, he has come
to feel his father deserves a
place in the American popular
culture discussion.
"A lot of it is maybe where I am
in my life, with my kids and
everything," said Jennings, who
has a daughter and son (also
named for Waylon). "I'm at a
place where I really appreciate
my dad and I really appreciate
his part of my life and my kids
knowing who he is even though
he'd never met them. I felt like
I'd grown into a place where it
was time for me to take over
getting his name back out there
in the right way."
Ringo Starr Announces New All
Starr Band Lineup, Tour Dates
By Andy Greene
Ringo Starr has announced the
lineup for the newest All Starr
Band. It will feature Todd
Rundgren, Gregg Rolie (Santana),
Steve Lukather (Toto) and
Richard Page (Mr. Mister)
alongside saxophonist Mark
Rivera
and drummer Gregg Bissonette.
The tour launches June 14 at the
Fallsview Casino in Niagara
Falls, Ontario, and runs through
July 21 at the Greek Theater in
Los Angeles, though a press
release states that more dates
will be added. Ringo is touring
in support of his new album, "Ringo
2012."
Ringo began touring with a
constantly rotating crew of All
Starr bands in 1989. Numerous
musicians have been in the mix
over the years, including Joe
Walsh, Levon Helm, Jack Bruce,
John Entwistle, Sheila E and
Paul Carrack. The musicians come
from a wide variety of musical
backgrounds, but they were all
the lead vocalist on at least
two big radio hits. The setlist
mixes in those songs with hits
from Ringo's solo career and a
handful of Beatles classics.
Rundgren and Page have both
participated in previous All
Starr Band tours, but this is
the first outing for Steve
Lukather and Gregg Rolie, who
was the lead vocalist in the
original lineup of Santana. In
1973, he co-founded Journey with
Neal Schon. He left the band in
1980.
Here is our best guess at what
this year's setlist will look
like:
"It Don't Come Easy"
"Act Naturally"
"Honey Don't"
"Rosanna"
"Oye Como Va"
"I Saw the Light"
"I Wanna Be Your Man"
"Wings"
"Kyrie"
"You're Sixteen"
"Yellow Submarine"
"Hold the Line"
"Bang on the Drum All Day"
"Black Magic Woman"
"Broken Wings"
"Boys"
"Photograph"
"With a Little Help From My
Friends"
Here are the tour dates:
June 14, 15: Fallsview Casino,
Niagara Falls, Ontario
June 16: Bethel Woods PAC,
Bethel, N.Y
June 17: Mohegan Sun,
Uncasville, Conn.
June 19: Bank of America
Pavilion, Boston
June 22: Jones Beach Ampitheater,
Wantagh, N.Y.
June 23: Ceasar's, Atlantic
City, N.J.
June 24: Meyerhoff, Baltimore
June 26: State Theater, Easton,
Pa.
June 27: Mayo Center,
Morristown, N.J.
June 29: St Augustine Theater,
St. Augustine, Fla.
June 30: Seminole Hard Rock
Arena, Hollywood, Fla.
July 1: Ruth Eckerd Hall,
Clearwater, Fla.
July 3: Tuscaloosa Ampitheater,
Tuscaloosa, Ala.
July 4: The Wharf, Orange Beach,
Ala.
July 6: Fox Theater, Atlanta
July 7: Ryman Auditorium,
Nashville
July 8: Horseshoe Casino,
Hammond, Ill.
July 11: Usana Ampitheater, Salt
Lake City
July 13: Northern Quest,
Spokane, Wash.
July 14: St Michelle Winery,
Seattle
July 15: Edgefield, Portland,
Ore.
July 17: Mountain Winery,
Saratoga, Calif.
July 19: Humphrey's, San Diego
July 21: The Greek, Los Angeles
Beach Boys, Radiohead, Bon
Iver, Red Hot Chili Peppers to
Play Bonnaroo
The reunited Beach Boys will
celebrate sunshine and summer at
the 2012 Bonnaroo Music and Arts
Festival with Radiohead, Red Hot
Chili Peppers, Phish and Bon
Iver.
The always eclectic four-day
festival also will include
Skrillex, Foster the People, the
Avett Brothers, The Shins, The
Roots and Alice Cooper on the
700-acre farm in Manchester,
Tenn. Bonnaroo will be held June
7-10.
The lineup has something of a
ripped-from-the-headlines feel.
Several acts had notable nights
at the Grammy Awards. The
reunited Beach Boys lineup of
Brian Wilson, Mike Love, Al
Jardine, Bruce Johnston and
David Marks made their live
debut at the awards, joined
onstage by Foster the People.
Bon Iver won Best New Artist,
Skrillex took home three
trophies and two-time Grammy
winners The Civil Wars are
scheduled to play just a few
weeks before singer Joy
Williams' baby is due.
The Chili Peppers will play
Bonnaroo as new Rock and Roll
Hall of Fame members.
About half of the lineup was
announced Tuesday and additions
will be made later. Bonnaroo
will feature about 125 music
acts and 30 comedians. Tickets
go on sale Saturday.
Other acts include comedian Aziz
Ansari, Feist, Dispatch, the
reunited Ben Folds Five and
Dawes.
There's a little bit of
something for everybody.
Skrillex will be leading a wave
of electronic dance music acts
and exotic DJs, including SBTRKT,
Flying Lotus and Major Lazer.
Acoustic music fans can look
forward to the Punch Brothers,
Trampled by Turtles, Laura
Marling, the Devil Makes Three
and Sarah Jarosz. There will be
a heavy dose of roots rockers,
too, including Delta Spirit, the
Alabama Shakes, Gary Clark Jr.
and the Word featuring John
Medeski, Robert Randolph and
North Mississippi Allstars.
Neo soul fans can turn to
Charles Bradley and his
Extraordinaires, Darondo, Little
Dragon and the Soul Rebels.
And a year after rap dominated
the 10th anniversary of Bonnaroo
with Eminem, Lil Wayne, Wiz
Khalifa, Big Boi and others
headlining, it remains a large
part of the Bonnaroo lineup.
Ludacris, Black Star, Mac
Miller, Childish Gambino,
Yelawolf, Danny Brown, Das
Racist and others are on the
schedule.